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| The Communion Rail by Meryl Viola Bravo |
When in the context of a garden and a secret, what are the forms of guard and protective wear and tear between man and woman? Will the guard be a form of which the significance of who she is as woman come forth be well regarded for her goodness or is it a deceptive form of audacious conceptual deciding? Shall her exposure be the form? Will the guard be the exposure and the exposure no longer a guard? When there is a railway towards a significant separation is it for a distinct condition of transportation and the danger of crossing it at the wrong opportune time?
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